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Michael Glenfield
Michael Glenfield is a PhD candidate at the University of Bristol. His area of research is landscape, nature and form in contemporary poetry. His thesis focusses on Michael Longley’s use of nature and landscape to explore Irish identity. His areas
Michael Griffin
Professor of English and Irish Studies at the University of Limerick. Author of Enlightenment in Ruins: The Geographies of Oliver Goldsmith (Bucknell University Press, 2013, pbk 2015). Editor of The Selected Works of Thomas Dermody (Field Day, 2012) and The
Michael Howlett
I have published in Irish and European Theological journals. Publications include The Human Condition in the Writings of Patrick Kavanagh (1904-1967): A Theological Exploration. (Excerpta ex diss. ad Doctoratum). Rome: Gregorian University, Polyglot Press, 1991, pp. 135. The Wild Laugh:
Michael Lackey
Distinguished McKnight University Professor, Michael Lackey is the author and editor of twelve books, including Ireland, the Irish, and the Rise of Biofiction; The American Biographical Novel; Truthful Fictions: Conversations with American Biographical Novelists, and Conversations with Biographical Novelists: Truthful
Michael Moir
I am an Associate Professor in the Department of English and Modern Languages at Georgia Southwestern State University, where I teach courses in Irish, British, and Postcolonial literatures. My research focuses primarily on the construction of imaginary spaces in mid-20th
Michael Murphy
Dr Michael Murphy has lectured in the Department of Music, Mary Immaculate College, University of Limerick since 2001 where he is Assistant Professor. He co-edited Musical Constructions of Nationalism with Harry White (Cork, 2001), Music in Nineteenth-Century Ireland (Irish Musical
Michael Nicholsen
I completed Ph.D study in History at Loyola University Chicago in 2007, producing the dissertation “‘Auld Sod’ and New Turf: Entertainment, Nationalism, and Identity in the Irish Traditional Music Community of Chicago. My current research interests involve interdisciplinary Ethnomusicology and