Judith Stapleton studies nineteenth- and twentieth-century Irish and British art at Yale University. Her dissertation, entitled Sly Modernism: William Orpen and the Making of Modern Irish Art, appraises the artist’s position within the cognate fields of Irish, British, and continental modernisms. Judith holds a bachelor’s degree from Franklin & Marshall College and an M.A. from the University of Bristol, where she was a Fulbright Fellow. She is the co-curator of Unto this Last: Two Hundred Years of John Ruskin (Yale Center for British Art, 2019) and the curator of An Indelible Mark: British Art of the First World War (Yale Center for British Art, 2018). She is currently the Donald & Marilyn Keough Curatorial Fellow at the Raclin Murphy Musuem of Art at the University of Notre Dame.